1. Kata training
demands perfectly controlled movement sequences.
2. For
each kata, the number of movements is fixed (Twenty, forty, etc ) each
technique must be perfect and deliberate, separated by long pauses and purposeful
withdrawal movements and they must be performed in the correct order.
3. The
first movement of the kata and the last movement must be executed at the same
point on the performance lime. The performance line has various shapes
depending on the kata, such as straight line, like the letter “T”, like the
letter “1”, in the shape of an asterisk (.) and so on.
4. There
are kata that must be learned and kata that are optional. Ther former are the
fice Heian kata and the three Tekki Kata. The latter are Bassai, Kanku, Empi,
Hangetsu, Jutte, Gandkaku and Jion. Other kata are Meikyo, Chinte, Nujushiho,
Gojushiho, Hyakuhachiho, Tensho, Unsu, Sochin and Seienchin.
5. To perform a kata
dynamically, three rules must be remembered and observed:
(i) Correct use
of power,
(ii) Speed of
movement, fast or slow,
(iii) Expansion and contraction of the body. The beauty, power and
rhythm of the kata depend on these three things. Rhythem is the soul of kata. The
spirit of kata springs to life in the characteristics changes of speed from
fast to slow, in the focusing and relaxding of muscular tension, in the sudden
change from gentle breathing to an explosive exhalation, ending in the power of
Kiai, or the harmony of resolve between mind and body.
6. At
the beginning and at the end of the kata, one bows. This is part of the kata. When
doing kata successively, bow at the very beginning and at the completion of the
final kata.
7. Kata
is combat! Every movement is adapted to a specific situation. Only those who
can identify the situation (attack), who can fight against it, who can read an
opponent and his technique react accordingly, are true exponents of kata.
8. Kata
means form. This is reflected by the importance given to the formal sequence of
approach, greeting, addressing, concentration and commencement, to starting and
ending at the same point, to Zanshin – withdrawal from the final position and
the concluding greeting.
No comments:
Post a Comment